By John Parker, Richard Rathbone
This Very brief advent appears at Africa's prior and displays at the altering methods it's been imagined and represented, either in Africa and past. the writer illustrates vital facets of Africa's heritage with more than a few attention-grabbing old examples, drawn from over five millennia throughout this titanic continent. The multitude of subject matters that the reader will find out about during this succinct paintings comprise the solidarity and variety of African cultures, slavery, faith, colonial conquest, the diaspora, and the significance of heritage in knowing modern Africa. The publication examines questions reminiscent of: Who invented the assumption of "Africa"? How is African heritage pieced jointly, given one of these loss of documentary facts? How did Africa engage with the realm 1,000 years ago?
Africa has been referred to as 'the cradle of mankind', and its recoverable heritage stretches again to the Pharaohs. however the concept of learning African heritage is itself new, and the authors express why it's nonetheless contested and arguable. This VSI, the 1st concise paintings of its sort, will end up crucial examining for a person drawn to the African continent and the range of human history.
A rather well knowledgeable and sharply acknowledged historiography... may be in each historiography student's kitbag. A journey de force... it made me imagine greatly. Terence Ranger, The Bulletin of the college of Oriental and African reports you'll end this ebook higher knowledgeable, with a greater realizing of Africa and a clearer thought of the questions. Robert Giddings, Tribune This small booklet is a great and stimulating essay exploring problems with historical past, resources and techniques, Africa on the earth, colonialism and postcolonialism, and the earlier within the current as a way of introducing scholars and others to educational pondering African heritage. Tom Spear, magazine of African background
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Additional info for African History: A Very Short Introduction (Very Short Introductions)
But living in the depths of the equatorial rain forest, as did the ‘pygmies’ of the Ituri region of the present-day Democratic Republic of Congo, or in desert areas, like the San (or ‘Bushmen’) of the Kalahari in southern Africa, was seldom the result of accident. Isolation was frequently either the outcome of strategies devised by people unwilling to risk repeated predation by better-armed, hostile outsiders, or the consequence of being driven into marginal ecologies by more powerful peoples’ capacity to conﬁscate richer arable land, pasture, or hunting grounds.
This type of writing has been called ‘Afrocentrism’. A more accurate term, however, might be Egyptocentrism, as much of it remains transﬁxed by the notion that pharaonic Egypt was the font of all African culture and/or a distinctively ‘black’ civilization. Not all of this genre is devoid of scholarship: Martin Bernal’s well known Black Athena (1987), for example, represents a serious attempt to engage with the history of cross-cultural exchange in the ancient eastern Mediterranean. But most of it is wild polemic, and all of it is deeply ﬂawed on empirical grounds.
As we have seen in Chapter 1, just as it was intellectuals in the diaspora who amongst Africans ﬁrst began to perceive the contours of the entire continent, so was it they who appropriated from European thought the idea of a singular African people or, in the language of the time, a ‘Negro race’. Whereas European and Anglo-American race theorists sought to denigrate black people, however, the pan-Africanist pioneers stressed racial unity as a tool of redemption. To writings about racial unity, dignity, and redemption – what has been called ‘vindicationist’ literature – gradually were added layers 34 7.
African History: A Very Short Introduction (Very Short Introductions) by John Parker, Richard Rathbone